By David J. Abel (auth.), Michel Scholl, Agnès Voisard (eds.)
This e-book constitutes the refereed lawsuits of the 5th foreign Symposium on Spatial Databases, SSD '97, held in Berlin, Germany, in July 1997.
The 18 revised complete papers offered have been conscientiously chosen from a complete of fifty five submissions. additionally incorporated are keynote contributions. The papers are geared up in topical sections on spatial similarities, geo-algorithms, spatial constraint databases, spatial question processing, platforms, spatial information versions and spatial entry methods.
Read Online or Download Advances in Spatial Databases: 5th International Symposium, SSD '97 Berlin, Germany, July 15–18, 1997 Proceedings PDF
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Additional info for Advances in Spatial Databases: 5th International Symposium, SSD '97 Berlin, Germany, July 15–18, 1997 Proceedings
The piece ends most sad. The pianist most skilfully expressed this interpretation in the patterning of dynamics (see arrows in the key-velocity panel of Figure 4). The resulting phrasing is over the entire piece with subdivisions at measures 22 and 36. The return of the theme is the culminating point of the piece where after tension can release. According to the pianist, this tension cannot however be fully resolved. 4 Summary and Conclusions from the Experiment This study had two aims (i) individuating which auditory and visual cues are mostly involved in conveying the performer’s expressive intentions and (ii) testing the developed model by comparing their performances with spectators’ rating of the same musical performances.
Nature Reviews Neuroscience 2 (2001) 661-670. 26. : Decomposing biological motion: A framework for analysis and synthesis of human gait patterns. Journal of Vision 2 (2002) 371-387. 27. : Orientation-Dependent Priming Effects in the Perception of Biological Motion. Journal of Experimental Psychology-Human Perception and Performance 19 (1993) 992-1013. 28. : Transsaccadic memory for the egocentric and allocentric position of a biological-motion walker. Journal of Experimental Psychology-Learning Memory and Cognition 23 (1997) 739-760.
Fig. 5. The position of the head plotted per quarter note. Upper panel shows left-right position (x) and bottom panel the backward-forward position (y). Separate plots for the three performances of the piece. Vertical lines indicate section boundaries. 2 Layer 3 Correlations between performance measures were calculated to check the coherence between measures. 51 on average). 25 on average). The low correlation between values was partly due to the asynchrony between the periodicity of the measures.